How it began

Made one bag at a time

I started working with leather to make things I could actually use every day. Each design has grown from carrying it myself, noticing what wore well and what didn't, and changing the next version because of it.

I cut, bevel, and assemble each bag individually rather than batching through factory machinery. That slower pace lets me check every seam and edge, and it means the small details are part of the design.

Editorial product photograph of a maker's bench in soft window daylight, a half-finished leather bag with an edge being

The craft

What goes into each piece

A few choices shape every bag, from the leather to the way the edges are finished.

Close detail photograph of full-grain saddle leather texture under soft window daylight, warm natural color, quiet backg

Full-grain leather

I select full-grain hides for their temper and weight, and for the way they develop character with years of use.

Close detail photograph of a leather bag edge being burnished, soft window daylight, warm earthy palette, shallow depth

Hand-finished edges

Each edge is cut, bevelled, and burnished by hand so the finish is even and comfortable against the hand.

Close detail photograph of brass hardware set into a leather bag strap, soft window daylight, warm muted tones, clean ba

Considered hardware

I choose hardware for function and feel, fitting each piece so the metal sits quietly alongside the leather.